January Session |
11 |
European Bookbinding, 1500-1800. How bookbinding in the
post-medieval period developed to meet the demands placed on it by the
growth of printing: techniques and materials employed to meet these
demands; the development of temporary bindings (for example, pamphlets
and publishers' bindings); the emergence of structures usually
associated with volume production in the C19; the dating of undecorated
bindings; the identification of national and local binding styles.
Instructor: Nicholas
Pickwoad. See Extended Course Description. |
| |
| |
12 |
Book Illustration to 1890. The identification of illustration
processes and techniques, including woodcut, etching, engraving,
stipple, aquatint, mezzotint, lithography, wood engraving, steel
engraving, process relief, collotype, photogravure, and color printing.
The course will be taught almost entirely from the extensive Book Arts
Press files of examples of illustration processes. As part of the
course, students will make their own etchings, drypoints, and relief
cuts in supervised laboratory sessions. Offered again in the March
session. Instructor: Terry
Belanger. See Extended Course Description. |
March Session |
31 |
Book Illustration to 1890 (Session II). For description, see
number 12. Instructor: Terry
Belanger. See Extended Course Description. |
| |
| |
32 |
Publishers' Bookbindings, 1830-1910. The study of publishers'
bookbindings, chiefly in the US, but with frequent reference to England,
and occasional reference to Continental developments. Topics: the rise
of the edition binder; design styles and how they developed; new
techniques, machines, and materials introduced in the C19; the
identification of rarities; the physical description of bindings; the
preservation of publishers' bindings. The course will make extensive
use of the Book Arts Press's notable collection of C19 and early C20
binding examples. Instructor: Sue
Allen. See Extended Course Description. |