Katsushika HOKUSAI. Fugaku hyakkei (One-hundred scenes with Fuji’s peak), Part 1, 1834. Ebi Collection, Art Research Center database, Ritsumeikan University, Ebi0381.
Books figured significantly in the formation of the reputation of Katsushika Hokusai (1760–1849) among his contemporaries and subsequently in Europe and America. He provided illustrations for over 260 titles, encompassing novels, anthologies of Japanese and Chinese poetry, erotica, warrior tales, bilingual editions of Chinese classics, gazetteers, copybooks for aspiring artists, pattern books for artisans, model letter books, dance manuals and picture anthologies. For many decades after his death, publishers kept his books in print and even issued posthumous titles to cash in on his marketability.
This course will consider Hokusai as a publishing phenomenon. His achievement as a book illustrator—and print artist—will be situated squarely in the world of Edo-period publishing. We will examine his relationship with publishers and the ways in which they marketed his books. The process of book production will be explained in order better to understand his use of the printing technology available to him. Multiple copies of selected titles will be examined to demonstrate the ways in which publishers exploited woodblocks over many decades. Books illustrated by Hokusai’s predecessors and contemporaries will also be studied in order to identify the features that distinguish his work. Finally, the reception and influence of the artist and his books in the West will be considered.
In their personal statements, prospective students should describe any previous background they have had in the field; no previous knowledge of Japanese art or history is required of those who apply for admission to this course. The course is aimed at a broad constituency, including (but not limited to) students of the book, conservators, curators, collectors, librarians, artists, designers, and art historians. It should be of interest to anyone interested in books as objects, as commodities and/or as works of art.
The Freer-Sackler Gallery possesses an outstanding collection of books by Hokusai and his contemporaries, making possible the combination of lectures and discussions with sessions in which the books themselves are studied in detail. Use will also be made of online and other digital resources. In order to make the most of the latter, students are encouraged, if possible, to bring a laptop with them.
Faculty
Advance Reading List
Preliminary Advices
More has been written about Hokusai in Japanese and Western languages than any other Japanese artist. Scores of monographs and exhibition catalogues of varying quality are devoted to him. This preliminary reading list is intended to provide a context for the course.
Keyes, Roger. Ehon: the Artist and the Book in Japan. New York: The New York Public Library & University of Washington Press, 2006. Offers a highly personal appreciation of the illustrated book in Japan based on a unique combination of scholarship and empathy. An excellent, accessible introduction to the subject.
Tinios, Ellis. Japanese Prints: Ukiyo-e in Edo, 1600–1900. London: British Museum Press & Lund Humphries, 2010. Provides an overview of the woodblock prints produced in the city of Edo (present-day Tokyo) with a detailed account of printing that applies to the production of books as well as prints.
Hillier, Jack. The Art of Hokusai in Book Illustration. University of California Press, 1980. A ground-breaking study by a great scholar and connoisseur of Japanese book illustration.
Hokusai: One Hundred Views of Mount Fuji. Introduction and Commentaries on the Plates by Henry Smith. George Braziller, Inc., 1988. Every opening of each of the three volumes that make up this—the most famous of Hokusai’s books—are reproduced in the exact size and order of the original.
Taking a broadly chronological approach, the development of botanical illustration is traced from medieval manuscript and early printed herbals, through florilegia and scientific plant illustration in the seventeenth century, to …
The nature, form, and impact of the book changed dramatically with the introduction of photography, altering the way books would be made, would appear, and would help transform the communication …
Assisted by Caroline Duroselle-Melish Length: 10 hours Format: Online This online course will concentrate on the production history of illustrated books in the fields of science, medicine, technology and natural …
