Course Description

Assisted by Jessica Grzegorski (7–12 June) & Amy Tims (5–10 July).

“Every single day was as useful and relevant as the last. I’m walking away not only a better, ‘sleeker’ cataloger, but an inspired one as well!” — 2017 student

Emphasis will be on books of the hand-press era, with some consideration of nineteenth- and twentieth-century books in special collections. Topics include:

  • application of codes and standards, especially DCRM(B)
  • transcription, collation, and physical description
  • concepts of edition, impression, issue, state
  • genre/form terms, relationship designators, other special files
  • copy-specific description
  • cataloging policy in institutional contexts

This course is restricted to working catalogers experienced in AACR2/RDA and MARC 21, and general cataloging principles and practices. No prior knowledge of early books is necessary. The goal of the course is to provide instruction and practice in each of the primary elements of the rare book catalog record, so that students will be equipped to catalog their institution’s rare books and special collections materials to national standards. Please note that this course covers printed monographs only—not serials, manuscripts, maps, music, graphics, or scrapbooks.

Special note on RDA: Instruction in this course will be on DCRM(B)—both classic (based on AACR2, as published) and RDA-compliant (as amended by the PCC Bibliographic Standard Record). Please also note that, although Descriptive Cataloging of Rare Materials (RDA Edition) has been published, for the time being this course will continue to use DCRM(B) as the standard, until the Library of Congress and the Program for Cooperative Cataloging (PCC) have fully implemented the Official RDA toolkit.

Admission criteria include:

  • sound knowledge of standard cataloging principles and practices, demonstrated by the bibliographic sample records
  • practical experience with AACR2 or RDA records in the MARC format, demonstrated by the sample records and detailed in the personal statement
  • relevance of the course to the applicant’s current or immediately forthcoming position and duties, as articulated in the personal statement. Include a brief description of the types, languages, and date range of materials that the applicant expects to catalog using DCRM(B)

To apply: In their personal statement, applicants should describe their experience producing AACR2/RDA MARC cataloging, and provide a brief description of the types, languages, and date range of materials they expect to catalog with DCRM(B). In addition, applicants are required to submit three typical bibliographic records of materials they are currently cataloging, preferably of modern books. The submissions may be original or copy cataloging; if the latter, please submit before-and-after versions. The three bibliographic records should be combined and submitted as a single PDF.

Format attached filenames following these guidelines:

  • personal statement as <LastName>-<FirstInitial>-<course#> (e.g., Lion-R-L30)
  • bibliographic records as <LastName>-<FirstInitial>-<course#>-records (e.g., Lion-R-L30-records).

Please note that this course will be offered twice in 2026 (7-12 June and 5-10 July). If you are applying for both, please submit a separate application for each session, and add a line at the beginning of your personal statement identifying your session preference, if any.

Faculty

Deborah J. Leslie

Deborah J. Leslie is Senior Cataloger at the Folger Shakespeare Library, before which she held positions as Rare Book Cataloger at Yale University and the Library Company of Philadelphia. She …

Advance Reading List

Advance Advices

Please read the following and bring a copy with you to class:

  • Descriptive Cataloging of Rare Materials (Books). Washington, D.C.: Library of Congress Cataloging Distribution Service, 3rd printing with corrections, 2011 (ISBN:970-0-8444-1162-0). DCRM(B) is out of print, and is freely available as a PDF. Note that the front cover is available as a separate PDF file. An electronic copy is also available through Cataloger’s Desktop (subscription service through the Library of Congress). Before coming to class, familiarize yourself with this manual, paying special attention to the preface and introductory sections, area 4, and Appendix G. Make sure you have this title and not Descriptive Cataloging of Rare Books, or the 1st or 2nd printings of DCRM(B). Please be sure to bring either a print or electronic version of DCRM(B) to class.

    Special note: Although Descriptive Cataloging of Rare Books (RDA Edition), or DCRMR, has been released as a minimum viable product, in this instructor’s opinion it is not quite ready for use; for the time being, this course will continue to use DCRM(B) as the standard with reference to differences coming down the pike.
  • Belanger, Terry. “Descriptive Bibliography.” In Book Collecting: A Modern Guide, edited by Jean Peters, 97–115. New York & London: R.R. Bowker, 1977. Note: Students admitted to this course will receive further instructions for accessing this reading.

    Please also bring with you to class:
  • Wifi-enabled laptop or tablet
    • RBS will provide information on accessing UVA’s wifi network
    • Most cataloging in class and during after-hours sessions will be performed in a shared Google drive
    • Past students have reported more satisfaction with laptops over tablets because of larger screens
  • Downloads and credentials for other subscription resources you like to use, such as:
    • ClassWeb
    • RDA toolkit
    • Connexion

Read Before Coming to Class

Watch Before Coming to Class

General

Papermaking

Hand Printing and Printmaking

  • Het drukproces in Museum Plantin-Moretus. A series of ten unnarrated videos put out by the Musea Stad Antwerpen. Watch in this order:
  1. Cutting the punch: https://youtu.be/ACShxt0n8uI?list=PL1DD2DC2ECAE66A19
  2. Creating the matrix: https://www.youtube.com/watch?v=ACShxt0n8uI&list=PL1DD2DC2ECAE66A19&index=3
  3. Casting type: https://youtu.be/q981Whe3xF4?list=PL1DD2DC2ECAE66A19
  4. Setting type: https://youtu.be/EWp_Rxaaq4M?list=PL1DD2DC2ECAE66A19
  5. Tying up the galley: https://youtu.be/F7JYaeTYyfM?list=PL1DD2DC2ECAE66A19
  6. Imposing: https://youtu.be/yfRr01NvDZY?list=PL1DD2DC2ECAE66A19
  7. Letterpress printing: https://youtu.be/IO6l74AWJSs?list=PL1DD2DC2ECAE66A19
  8. Engraving: https://youtu.be/JooTfqw3UIY?list=PL1DD2DC2ECAE66A19
  9. Etching: https://youtu.be/KYvLBBC4I-U?list=PL1DD2DC2ECAE66A19
  10. Rolling press printing: https://youtu.be/ebNfdjDkEnE?list=PL1DD2DC2ECAE66A19
  11. Woodcut Printing:. https://www.youtube.com/watch?v=mgCYovlFRNY

Binding

Warm-Up Exercises

Students will be given two warm-up cataloging exercises to be completed prior to the start of class—so you’ll be ready to hit the ground running!


Course Evaluations


Course History

  • 2025–

    Deborah J. Leslie teaches this course, generally once or twice per year, assisted by Amy Tims & Jessica Grzegorski.

  • 2022–2024

    Deborah J. Leslie teaches this course, generally once or twice per year, assisted by Brenna Bychowski.

  • 1998–2019

    Deborah J. Leslie teaches this course, generally once or twice per year.

  • 1995–1997

    Eric Holzenberg teaches this course.

  • 1993–1994

    Suzy Taraba teaches this course.

  • 1987–1991

    Suzy Taraba and Stephen Young co-teach this course.

  • 1983–1984

    John Lancaster and Earl Taylor co-teach this course.