RBS Seminar: Exploring Ephemera
9 September 2018 – 11 September 2018
Time: 6:00–9:00 p.m. Sunday; 8:30 a.m.–6:00 p.m. Monday–Tuesday
Location: Winterthur Museum, Garden & Library and the University of Delaware Library
Presented by: Catharine Dann Roeber, Jeanne Solensky, Marie-Stéphanie Delamaire, Emily Guthrie, Jesse R. Erickson, Rebecca Johnson Melvin, and Mark Samuels Lasner
Rare Book School is sponsoring a two-day seminar at the Winterthur Museum, Garden & Library and the University of Delaware on Monday and Tuesday 10–11 September 2018, preceded by a group dinner on Sunday, 9 September.
This seminar has been designed to be of interest to curators, collectors, and librarians of all kinds who care for, research, and teach with ephemera collections, but signup is open to anyone with an interest in the topics covered. The cost to attend the seminar is $500.
As space is limited, signup for the seminar will be handled on a first-come, first-served basis. We encourage “early bird” sign up before 1 August to improve your chances of getting a seat.
A block of rooms will be available at a discounted rate at the Courtyard Marriott-University of Delaware; transportation will be provided to and from the hotel each day.
Drawing on the remarkable holdings of two Delaware institutions—Winterthur Museum, Garden & Library and the University of Delaware Library—this two-day workshop offers an opportunity to explore the history, production methods, typography, circulation, use, and meaning of ephemera produced from the eighteenth through the twentieth centuries in America and Britain. Hands-on study of the physical nature of ephemera will be the main emphasis of the seminar, but the value of the materials for scholarship, teaching, and exhibition purposes will also be considered.
Students with varying levels of experience and expertise are welcome. In their personal statements, students should provide a brief description of their interest in ephemera, to help inform the seminar examples and presentations.
Sunday, 9 September
6:00 p.m. Meet at Courtyard Marriott-University of Delaware, travel to Caffe Gelatto
6:30 p.m. Dinner at Cafe Gelatto in Newark, DE
Monday, 10 September — Winterthur Museum, Garden & Library
8:30 a.m. Meet at Courtyard Marriott, travel to Winterthur
9:30–10:45 a.m. “Early American Ephemera at Winterthur: An Exploration” — Catharine Dann Roeber
10:45–11:00 a.m. Morning break with refreshments
11:00 a.m.–12:15 p.m. “The Art of the Stone” — Jeanne Solensky
12:15–1 p.m. Lunch break (boxed lunches available)
1:00–2:45 p.m. “Color in Printed Ephemera” — Marie-Stéphanie Delamaire
2:45–3:00 p.m. Afternoon break with refreshments
3:00–4:45 p.m. “From Sheffield Silver to Sears, Roebuck & Co.: Trade Catalogs and Material Culture” — Emily Guthrie
4:45 p.m. Travel to Oak Knoll Books in New Castle, DE
5:15–6:00 p.m. Explore Oak Knoll Books
6:00 p.m. Group dinner, details TBD
8:30 p.m. Return to Courtyard Marriott
Tuesday, 11 September — University of Delaware Library
9:00 a.m. Meet at Courtyard Marriott, travel to University of Delaware
9:30–11:00 a.m. “Ethnobibliographic Method for Ephemera Studies” – Jesse R. Erickson
11:00–11:15 a.m. Morning break with refreshments
11:15 a.m.–12:45 p.m. “The Scrapbook: Contextualizing Ephemera” — Rebecca Johnson Melvin
12:45–1:30 p.m. Lunch break (boxed lunches available)
1:30–3:00 p.m. “Late Victorians: Death and Celebrity” — Mark Samuels Lasner
3:00–3:15 p.m. Afternoon break with refreshments
3:15–4:00 p.m. Seminar wrap-up and evaluations
4:00 p.m. “Fakes and Forgeries” exhibition opening reception
6:00 p.m. Return to Courtyard Marriott
At Winterthur Museum, Garden & Library (10 September)
“Early American Ephemera at Winterthur: An Exploration” — This session will highlight the variety of ephemeral forms found in Winterthur’s collections. From candy wrappers to broadsides, advertising sheets and bank notes, Winterthur’s museum and library collections contain a wealth of material relating to transitory paper objects that circulated in early America. We will examine the materials, discuss origins and uses, and explore questions about the definition of and role for ephemera in museum collections.
“The Art of the Stone” — This session will feature lithographic stones, keyline drawings, and proof books alongside stunning pieces of ephemera from the John and Carolyn Grossman Collection that explain this chromolithographic process that required much precision and teamwork by artists and printers.
“Color in Printed Ephemera” — Using museum and library collections, this session will focus on the physical examination of color in printed ephemera and the challenges the colors presents for material and historical inquiry.
“From Sheffield Silver to Sears, Roebuck & Co.: Trade Catalogs and Material Culture” — In studying America’s artistic, cultural, and social history, trade catalogs are seen as essential primary sources. The Winterthur Library recognized the research value of this unique form of ephemera at the time of its inception in the early 1950s. To date, the trade catalog collection has grown to over 7,000 items, ranging in date from circa 1760 to 1999. We will examine a selection of items that not only elucidate the production, distribution and use of trade catalogs, but which also have a proven ability to inspire, educate and entertain.
At the University of Delaware Library (11 September)
“Ethnobibliographic Method for Ephemera Studies” — This session introduces strategies for the implementation of ethnobibliographic method in ephemera studies. Covering core concepts in ethnobibliography—which looks at relationships in bibliographic materiality and the social construction of racial and ethnic identity—the method will be applied to printed ephemera and mixed-media texts in the form of trade cards, postcards, and scrapbooks. Discussions will include: historical sources for stereotyping and caricature in graphic design, print advertising and racial humor, and the use of racial ephemera in paper crafting.
“The Scrapbook: Contextualizing Ephemera” — Perhaps the original mixed-media and interactive format, the scrapbook as placeholder for eclectic, esoteric, and ephemeral content is an overlooked source for rewarding avenues of archival research and material culture studies. Reading the scrapbook as a collection is an exercise in considering the identity and the intent of the creator, original sources for the selected ephemera, and meaning derived from personal compilations. We will survey popular scrapbook genres to understand why and how people have used ephemera to fill blank books, with interdisciplinary appreciation especially for printing, advertising, and gender studies.
“Late Victorians: Death and Celebrity” — To be famous—or infamous—in the nineteenth century was to have your death be seen as quite an occasion. Private and public ceremonies, memorials, obituaries, biographies, and sales of possessions brought forward a mass of printed items ranging from simple mourning stationery to elaborate funeral programs. This session will consider the design, circulation, and production of materials relating to, among others, Christina and Dante Gabriel Rossetti, Disraeli, Tennyson, William Morris, and W. E. Henley.
At Winterthur Museum, Garden & Library (10 September)
Marie-Stéphanie Delamaire, a member of Rare Book School’s Andrew W. Mellon Society of Fellows in Critical Bibliography, is the Associate Curator of Fine Arts at Winterthur, and an affiliated Assistant Professor in the Winterthur Program in American Material Culture (WPAMC) at the University of Delaware. She earned her Ph.D. in art history from Columbia University and is a specialist of nineteenth-century American art. Her current fields of interests include color and printmaking, the role of intellectual property law in American visual culture, and the travels of eighteenth-century painters to the Caribbean region.
Emily Guthrie is the Library Director and National Endowment for the Humanities Librarian for the Printed Book and Periodical Collection. She teaches the Book Connoisseurship Block and advises master’s theses for the WPAMC, and regularly teaches “Design Sources”, rare book sessions for “British Design History,” and other library workshops featuring the rare book collection. She has contributed numerous articles to Winterthur Library News. She co-authored “Trade Catalogs: Opportunities and Challenges,” an article appearing in the fall 2015 issue of Art Documentation: Journal of the Art Libraries Society of North America.
Catharine Dann Roeber is the Brock W. Jobe Assistant Professor in Decorative Arts and Material Culture in the WPAMC. With a commitment to exploring stories of people, things, architecture, and landscapes, she draws on her education in anthropology, material culture, museum studies, and history (Ph.D., William and Mary) to inform her teaching, research, and museum work. Her research focuses broadly on American material culture in a global context with several projects centered on the colonial Mid-Atlantic. Catharine regularly uses ephemera in her teaching.
Jeanne Solensky is Librarian and Interim Head of the Joseph Downs Collection of Manuscripts and Printed Ephemera and the Winterthur Archives. Jeanne is responsible for reference and digital projects for the manuscript and ephemera collections. She co-curated the 2004 museum exhibition, and co-authored the publication, “The Winterthur Library Revealed: Five Centuries of Design and Inspiration.” She has also curated numerous library and museum exhibitions and created online exhibitions. Jeanne has written articles for Winterthur Magazine, Antiques and Fine Art, and Nineteenth Century, and regularly contributes blog posts to Winterthur Unreserved.
At the University of Delaware Library (11 September)
Jesse R. Erickson is the University of Delaware Library’s Postdoctoral Researcher in Special Collections and Digital Humanities. He previously worked as a bibliographic researcher and archival processor in the Manuscripts Division of the Charles E. Young Research Library and the Center for Oral History Research at the University of California, Los Angeles. He earned his Ph.D. in Information Studies and his M.L.I.S. at the UCLA’s Graduate School of Education and Information Studies. His research focuses in ethnobibliography, alternative printing and non-canonical textuality, African American print culture, and the transnational printing history of the works of Ouida (1839–1908).
Rebecca Johnson Melvin is Manuscripts Librarian and Curator of the Joseph R. Biden, Jr., senatorial papers at the University of Delaware, and a champion for the often overlooked and often non-textual “other formats” found in special collections. She promotes lessons of visual literacy and understanding material culture to promote archival research in scrapbooks. She contributed a chapter to The Scrapbook in American Life (2006) and has spoken to professional and public audiences at the Society of American Archivists, Rare Books and Manuscripts Section, Cranbrook Academy of Art, and the Cooper-Hewitt Museum.
Mark Samuels Lasner is Senior Research Fellow, University of Delaware Library, Museums & Press, and a collector, bibliographer, and typographer. In 2016 he donated to the University of Delaware Library his collection of more than 9,500 items focusing on British literature and art of the period 1850 to 1900.
- Fill out the signup form below. Early bird registration (before 1 August) is strongly recommended. If you have any trouble with the signup form, please email email@example.com or call Laura Perrings at 434-924-9176.
- You will receive an email confirming your seminar registration and containing a link through which to submit payment. Your payment will serve to reserve your seat in the seminar.
- Final details, including information about accommodations and transportation, will arrive via email prior to the event.