Picturing the Floating World: Ukiyo-e in Context
A 40-minute Zoom presentation followed by 30 minutes of Q&A scheduled for Wednesday, 8 July 2020, 4–5:10 p.m. ET, via Zoom.
Due to Zoom’s restrictions, this event is limited to the first 300 people who register. The event will be recorded and made available for viewing on the RBS YouTube channel.
Ukiyo-e, the “pictures of the floating world,” are regarded today as masterpieces, with these prints and books among the most iconic (and expensive) in Japanese art. Yet it is often said that ukiyo-e was not appreciated in its home country in its own time, rather that it was when prints and books arrived in France accidentally—as packing material for ceramics—that they were given due credit. In this talk, Julie Nelson Davis debunks the myth of ukiyo-e having been used for packing and wrapping, demonstrating that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship, and even of canonization in its own time. Putting these images back into their dynamic context, Davis describes how consumers, critics, and makers produced and sold, valued and collected, discussed and recorded ukiyo-e. In this talk Davis recovers this multilayered world of pictures, showing how some were made for a commercial market, backed by savvy entrepreneurs seeking out new ways to make a profit, while others were produced for private coteries and high-ranking individuals seeking cultural capital. In doing so, Davis shows how ukiyo-e was a genre under construction in its own time.
Everyone is welcome to attend. To ensure the security of the event, advance registration is required; to register, click here. Registration closes at 8 a.m. the day of the event.
Your registration will be automatically accepted. You will receive an email reminder the day before the event. The day of the event, we will send you the Zoom URL and password. Please direct any questions to RBS Programs at firstname.lastname@example.org.
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Header image: Utagawa Hiroshige, Asakusa Ricefields and Torinomachi Festival (Asakusa tanbo Torinomachi mōde), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857; published by Uoya Eikichi. Color woodblock print, Ōban tate-e 14 3/4 x 10 3/16 in. (37.4 x 25.9 cm). Mary A. Ainsworth Bequest, 1950.1445, Allen Memorial Art Museum.